EPIPHANY – WHAT REALLY BUGS ME ABOUT CAPTAIN MARVEL

I finally figured out what bugs me about Captain Marvel. Not the movie, the character. The movie, as I pointed out in my post on Captain Marvel, is flawed but good and not really deserving of most of the negative hype it got. My problem is with the CHARACTER of Captain Marvel as it manifests itself, not just in the origin story, but in other movies as well – like Endgame.

It’s not the alleged anti-male bias in her origin story, which I mostly disabused in my post about Captain Marvel, that bothers me. It’s not Captain Marvel’s snarky attitude – I love  Rocket’s acerbic comments in Guardians of the Galaxy, the sarcasm of Tony Stark, the quips from Nick Fury and even the defensive banter from Marvel’s version of M.J.

It’s not the fact she is a woman in a lead action adventure role – even though her origin movie (while rather fun) is no where near as good as Wonder Woman was or Black Widow’s will be (OK I’m just a teensy bit biased but B.W. is SUCH a great character).

I don’t even mind arrogance if it is earned, as it is with Iron Man or Loki, especially when they occasionally allow themselves to be the butt of humor.

And yes, I DO mind that the character of Captain Marvel HAS no sense of humor. That takes a bit of edge off of every scene she is in. BUT that is NOT what really BUGS ME!

It suddenly occurred to me when lines of dialogue popped into my head from Avengers: Endgame which nailed her entire persona and shone a light on the major flaw with this character, which crops up in everything she does, everything she says and all of the relationships, or lack of them, she has with the other characters in this Marvel Universe. Danvers is talking to the group of grieving super hero survivors, and Rhodey, rightly, asks where she has been all this time (the last 5 years) and she replies: “There are a lot of other planets in the Universe. And unfortunately, they didn’t have you guys.”

OK, I can accept that and she’s right. It’s almost complimentary to the Avengers. But it’s what she DIDN’T say that rankles. Danvers is from Earth. She was born in America and used to be American military. So she understands loyalty. But her comment, or lack of it, reflects a (literal and disturbing) “universitality” to her mindset; a comment that speaks volumes in what is unspoken about where her allegiances lie. Sure, she was brainwashed, but she remembered her best friend Maria and Maria’s little girl, so her memories were and are resurfacing.

What she should have said, and did NOT say was: “I’m sorry. I wish I could have been here helping AT HOME, but you must understand that …..” Along with a grounding of Danvers’ place in the galaxy it would have afforded her a more three-dimensional personality, a vulnerability which every other character displays at one time or another – from Drax to Thor. But not ice queen Captain Marvel and without it she is a two-dimensional cardboard cut-out.

What she does reflect is a distance and sort of condescending entitlement attitude, wherein she will not deign to show up on Earth unless she determines we are worth the effort. There is no attachment, no sense of gratitude to the place of her birth, no expression of affiliation to the rest of her species even.

Instead, Earth to her is not the exceptional place of her birth, nor America the exception country of her upbringing, but just another rock in the cosmos with beings that need her help.

Well thanks loads and we’ll grovel later, but I’m sorry – maybe she should consider that without the nurturing she received on Earth, in America, there would not have BEEN a Carol Danvers. She is, after all, SUPPOSED to be human.

Superman, (D.C. but we’re talking creative writing and what works, not affiliation with a particular franchise), has endured (despite some admitted egregious mistakes) and is easy to like, in part because he has shown tremendous gratitude and affection to the species into which he was adopted. He’s not even FROM here and he protects Earth as owning a special place in his heart.

Dr. Who (again irrelevant to franchise or universe but only to the creation of character) has declared dozens of times that Earth is under his special protection – not just because he finds traits in humans that are noteworthy – our capability for great good, our resilience – but because we sheltered him in a time of need during the third doctor’s series.

In Star Trek (TOS) an empath described humans: “Your will to survive, your love of life, your passion to know … Everything that is truest and best in all species of beings has been revealed to you. Those are the qualities that make a civilization worthy to survive.” Lai the Vian, “The Empath”.

But there was NONE of that respect and affection for the human race reflected anywhere in the Captain Marvel movie or in her character in other movies, as it written by four women – Anna Boden, Geneva Robertson-Dworet, Nicole Perlman and Meg LeFauve –  and one man – Ryan Fleck. (Reminds me of the aphorism self-describing the flaws in an unchecked raw “democracy”: that it is four wolves and one lamb deciding what to have for dinner. Poor Ryan.)

I have a tough time imagining Marvel throwing herself between danger and a small child – rather she’d weigh the importance of the child against what she perceives as her own value and – well, good bye kid.

Apparently it was far more important to these writers to bow to a politically correct: “I am woman, hear me mewl”, than create a fully compelling story and hero. It is her lack of gratitude, absence of humility and vacuum of appreciation for her home planet that makes Captain Marvel the least of the Marvel heroes (or even anti-heroes) despite her amazing “powers”. As a result I find Groot, a talking tree with a rather limited English vocabulary, far more admirable and far more relatable, not to mention lovable, than li’l Miss C. Marvel.

JANE BOND? POLITICAL CORRECTNESS RUN AMOK

AUDIO PODCAST FOR “JANE BOND? POLITICAL CORRECTNESS RUN AMOK”

At first I thought it was a joke. But now — if it is, then include me in the list with those who believe “gullible” is not in the dictionary – as having fallen for the prank Hook Line & Sinker.

SPOILERS FOR SOME PAST BOND MOVIES

I thought Judi Dench was the best M the Bond franchise ever had. And I think that a flighty science-enamored character like Elizabeth Henstridge’s Jemma Simmons from Season 1 of Agents of Shield, or Letitita Wright’s hip teen prodigy, Shuri, from Black Panther would be absolutely adorable as a new Q.

But a female James Bond? What are they going to call her? Jamie Bond? Jane Bond? Janet? June? Jill? Jasmine? Jenny? Joan? Jessica? Josephine?

The actress they have in mind, Lashana Lynch, (last seen in Captain Marvel as Danvers’ best friend Maria Rambeau), seems a perfectly good candidate for an action adventure movie, having acquitted herself with satisfaction in the Marvel Universe so far. It would be interesting to see her in an Atomic Blonde-type movie, for example.

BUT!!! When the vast majority of the attraction of the Bond movies, for the vast majority of the demographic audience, is the bevy of beauties who follow, surround, bed and attempt to kill 007, if you have a female Bond, how is that going to work?

If she’s a lesbian, that’s going to attract an entirely different primary demographic than has been following the Bond franchise for 70 years. In short, the Bond franchise would be starting all over from Square One. And given the money invested in this franchise, I don’t know that that’s a risk they’re willing to take. So assuming she is presented as either hetero or asexual, what will be the excuse for all the women who are an integral, if not in some cases, the sole reason some people have for going to see the movie?

I was willing to seriously consider a female Doctor Who (Jodie Whittaker) and I’d hoped for better, though I do not think it has worked out very well.

I am on record as having doubted the viability of a female-superhero-led movie, but was delighted to be wrong when Wonder Woman (Gal Gadot) came along and have guarded optimism about the idea of a Black Widow  (Scarlett Johansson) origin story. But those two succeeded, and promise to succeed, primarily on the strength of the actresses involved in the respective films. Both female protagonists are/were heroes who happened to be females, not females onto which they shoehorned the mantle of superhero (as they did with Captain Marvel). Neither Wonder Woman nor Black Widow have chips on their shoulder against men and both work with easy camaraderie with their male counterparts, (UNlike Captain Marvel.)

My point being is, that while I have an educated and experienced bias against the viability of females in traditionally male iconic roles, I am delighted when I am wrong and I’m happy to admit it. However, it is frankly inconceivable to me what on Earth they going to do with a female Bond, given almost 70 years of set formula,  (Casino Royale, published in 1953 was the first novel by Ian Fleming and 1962 opened Dr. No, the first Bond film), which would operate strongly against it.

I suppose one possibility is if this young woman was the fruit of one of the previous male 007’s innumerable liaisons.

But even then I think it would be a gimmick that would only be viable for one movie – much like the smart, competent bride of James Bond in Her Majesty’s Secret Service. As amazing as the Emma Peel/Diana Rigg’s Tracy was, she would not have fit within the Bond franchise long-term and was an outlying one trick pony. Tracy had to die for the Bond character to live. And I don’t think it was a coincidence that this movie, the outlier, was the one and only Bond with George Lazenby. Bond in love and married was a construct against the tried and true formula which just did not work. Grafting a female child of James Bond would alter the chemistry and shape of the decades-successful pattern into something unrecognizable as a Bond movie.

Another possibility is her partnering with a male Bond or perhaps even a junior male Bond-in-training. But then we’re moving into the equivalent of the Marvel Universe’s Ragnarok or Guardians of the Galaxy territory, wherein they plant their tongue far more obviously and firmly in their cheek than they did with Roger Moore’s unfortunately titled — well let’s say it would be another way to describe an eight-armed cat.

Honestly, I can view this with a certain objectivity as I have never been able to sit through an entire Bond movie, (or Wagner opera for that matter), without dozing off at least once. Suffice it to say, I’m not a huge Bond fan, though I find them fun to spectate in groups with male relatives and friends who — for one reason or another —seem to enjoy them a lot more than I do.

I wish this young lady all the luck. But I am afraid that in their heightened enthusiasm for political correctness they may have a James BOMB on their hands and have given themselves a License to Fail.

P.S. If they want my vote it would be – hands down – IDRIS ELBA!!!!!!

SPOILER-FREE – ENDGAME REVIEW

SHORT TAKE:

Follow up to 2018’s Avengers: Infinity War.

WHO SHOULD GO:

Early teens and up due to some language, brutal fight scenes and somber plot topics.

LONG TAKE:

First off let me repeat – the following review will be spoiler free – unlike the BAZILLION Youtubes, reviews, “explanations,” trailers and headlines I quickly flicked away from, which started appearing about 5 minutes after midnight of its opening. I’m NOT even using pics from Endgame but relying on images from the plethora of previous movies.

If you would NOT like spoilers let me advise you do the same – don’t watch trailers or even scan the titles to Youtubes if you would prefer to be plot-wrecking-free when you go see Endgame.

Endgame, scripted by Christopher Markus and Stephen McFeely, and directed by the brothers Anthony and Joe Russo, is a terrific and worthy bookend to the 22 Marvel films now referred to as the Infinity Saga, starting with Iron Man in 2008. While you certainly could wait until it comes out on DVD, as is a surprise to no one, the cinematic spectacular is best viewed on the big screen.

The visuals are eye shockingly spectacular. I grew up when Forbidden Planet was considered an accomplishment in 1956 and around when Star Wars knocked the socks off astonished cinema goers in 1977. So, to me, the almost infinite (excuse the pun) variety of cinematic visual tricks are amazing, gorgeous, frightening, almost overwhelming and worth the price of admission for even the three or four film attendees in the solar system I have met who are not particularly interested in the Marvel super hero plotlines.

Endgame is also a DARK movie. Not just visually in places, but, as you can imagine with a follow up to the ending of Infinity War, there are: brutal fights, grim topics and emotionally wrenching scenes which may upset smaller children (and did in the screening I was in). This is no light semi-parody Ragnarok with its tongue planted firmly in cheek. While the comeradic banter amongst the players is there, Endgame is obviously a sequel to the gut-wrenching, sucker-punch storyline from the previous movie, and so one must be aware of the somber and anxious overall tone.

In addition, and much to my disapproval, there was more off color language in Endgame than in the majority of the previous Marvel movies. Though no where near the Dead Pool level, I thought it unnecessary for a film with a demographic which should reach most age groups.

And even though there’s ZERO hanky panky, all in all, please take the PG-13 rating seriously.

The characters in the movie continue to wear the skins of their alter egos with the same enthusiasm, affection, and insight as when we first met them.

The soundtrack by Alan Silvestri carries more variety than most Marvel movies and is a pleasure.

SO – that’s about all I can or am willing to say right now. When the time has come that the vast majority of people who want to see it HAVE seen it, I plan on a more in depth review addressing specifics. But until then – GO SEE AVENGERS: ENDGAME THE UNIQUE CULMINATION OF 11 YEARS IN THE MAKING OF OVER 40 SOLID HOURS OF 21 PREVIOUS MOVIES!!! BRAVO TO ALL OF THE CREATIVE TALENT WHO MADE THIS POSSIBLE AND A SPECIAL THANK YOU TO THE LATE STAN LEE.  GOD BLESS.

 

CAPTAIN MARVEL – GOOD IN SPITE OF ITSELF

SHORT TAKE: Latest and fun addition to the Marvel Universe of super heroes and the bridge between Avengers: Infinity War and Endgame, Captain Marvel is a super hero who just happens to be a female, re-discovering her real identity while meeting Young Nick Fury and Young Phil Coulson.

WHO SHOULD GO:

Family friendly: Young teens and up should be fine, perhaps even middle schoolers with parental discretion. A handful of mild profanities but otherwise pretty clean. The violence, albeit mostly cartoonish, one alien autopsy, and threats to a family with small children might upset the littler members of the family depending on disposition.

LONG TAKE:

Mark Twain is incorrectly thought to have said: “The rumors of my death have been greatly exaggerated.” But much like Rick’s famous misquote from Casablanca: “Play It Again, Sam” or Jimmy Cagney’s “Top of the world, Ma!” or Oliver Hardy’s “Another fine mess you’ve gotten me into,” while close, are famously – not… quite… accurate. It just goes to show how persistent mistakes can be carried on into posterity if quoted often enough.

And just so, I had read in a number of early pre-opening screening reviews that Captain Marvel was rife with promotions of feminist propaganda and an anti-male manifesto. After watching the movie I discovered all this hype to be wrong. On the contrary I found Captain Marvel quite charming, a fitting addition to the Marvel superhero universe, and most importantly – FUN. Not at all the feminist manifesto it was touted to be.

However, I understand how the misunderstanding arose.  For example, what some people, women in particular, perceived as examples of women being treated with negative bias in the military, I saw as the quite natural hazing common to ALL military newbies.

If you remember back to Captain America, Steve Rogers pre-superhero serum, was the butt of a lot of disrespect in both civilian life as well as boot camp. No one at the time complained that it was an example of discrimination against slightly built men, but appropriately just defined his backstory and provided a dramatic comparison for Steve Rogers’ transformation, as well as defining his character traits of courage, persistence and dignity in the face of adversity.

Similarly, Carol Danvers, aka Vers aka Captain Marvel, like any other human, faces obstacles specific to her background and physique before she can become the hero that is needed. Everyone has limitations as well as challenges they must overcome to achieve their goals and dreams. For reviewers to see logical challenges in the very competitive field of Air Force pilot training as discrimination is to have a ridiculous prejudice against men and a foolish bias in favor of women, which assumes that no woman should fail just because she’s a woman. That is inherently stupid. And it’s all just throwaway McGuffin background anyway.

Where did the feminist rumor come from? Like most rumors – from half truths. It is true that Brie Larson made some rather blunt and rude comments about white male reviewers. Personally I wouldn’t take offense were the playing field equal and white men were allowed to make similar comments about women. Her dismissive comment that she is not interested in hearing what a white male has to say about a movie with a female lead does not bother me half so much as the thought that if a white male said something in reverse he would be eviscerated. Can you imagine someone getting away with saying they are not interested in hearing what a minority woman has to say about Justice League since there were no minority women in the lead roles? The liberals would have lost they’re narrow little minds. Yet Brie Larson is lauded for her equally offensive remark. The inequity truly rankles the reasonable mind. How about: I’m not interested in what a woman has to say about 12 Strong because there were no women in the lead roles? Or I’m not interested in what an Eskimo has to say about West Side Story? Or ANYONE other than a white middle class male has to say about Castaway because Tom Hanks was just about the only one IN the movie? You see how ridiculous this liberal, politically correct, so-called “mentality” quickly becomes?

Larson simply expressed herself boorishly in voicing a reasonable desire to include a more interesting combination of reporters, like: the disabled, women, and minorities. I only wish she’d included homeschoolers, and faith-based reporters. But, of course, good luck with that one.

Regardless of all that CAPTAIN MARVEL IS A GOOD MOVIE.

BEYOND HERE BE SPOILERS – BE WARNED

Captain Marvel is about a military pilot, Carol Danvers (Brie Larson who knocked it out of the ball park in The Glass Castle – see my post here) who mysteriously ends up believing she is a member of an alien race’s warrior class, fighting the Skrulls, a race of extremely dangerous shape shifters who threaten the Universe in general and Earth in particular. On an investigative mission she winds up on Earth, meets a young, two-eyed Nick Fury and starts unraveling the mystery of her past.

Captain Marvel was co-directed by the established team of Anna Boden and Ryan Fleck, who, up to now, have done Sundance award winning shorts and indies. They were chosen because of their insightful enthusiasm for the character of Carol Danvers. The duo have created a very solid and entertaining bridge between the two Avengers movies.

The CGI was interesting but, possibly deliberately, of checkerboard quality. Danvers in full bore Captain Marvel mode looked a bit like a highly rendered cartoon – a nice homage, I thought, to her comic book origins.

As to the youthened Samuel L Jackson’s Nick Fury, either Jackson has a picture of Dorian Gray tucked somewhere in his attic or they did a masterful job with the special effects. Jackson looks legitimately 20 years younger in the movie. Unfortunately, the same cannot be said for Clark Gregg, whose younger Phil Coulson looked like a creepy, unnaturally smooth-faced caricature. Even were this choice purposeful due to the nature of the Skrulls and the part they play, other Skrull “imitations” looked far more natural and, assuredly, Fury would have picked up on it far before he did.

Ben Mendelsohn plays Talos, a Skrull adversary. Mendelsohn usually plays flat, two-dimensional bad guys, like the evil mad scientist Orson Krenic, in Star Wars: Rogue One or the diabolical businessman Sorento in Ready Player One. Mendelsohn’s Talos has a bit more to him, even a sense of humor, and it is nice to see Mendelsohn tackle a character with a bit more complexity.

Jude Law, the third man up to bat as Dumbledore, plays Yon Rogg, Captain Marvel’s mentor.

Annette Benning plays both Dr. Wendy Lawson, as well as a manifestation of the Kree Supreme Artificial Intelligence, which serves as teacher to the Kree.

As a side note, I thought the choice of Annette Benning in an important supporting role in a superhero movie was odd, familiar as we are with her in emotion-driven interpersonal dramas, like her shrewish unfaithful wife in American Beauty. Casting Benning in a major sci-fi is a peculiar fit which I am not completely sure works. She is a decent actress. She did manage a very serviceable Queen Elizabeth in a modern rendition of Shakespeare’s Richard the Third some years ago, after all. Science fiction is just not the genre I normally associate her with. However, her screen time is fairly small, so this casting choice is not a big drawback.

And then – MOST importantly – there’s Goose the cat played, depending upon the demands of the scene, by: Reggie, Gonzo, Archie and Rizzo – all of whom got along famously with both Samuel L. and Ms. Larson despite the fact Jackson is self described as not a cat person and Larson is actually allergic to them. Obviously all six of them are consummate professionals. LOL

Pinar Toprak (who, with Danny Elfman, also did the soundtrack for Justice League, and has composed for other films, TV shows and video games) wrote the soundtrack, which stays in the vein of the triumphant and inspirational themes in other Avengers movies. Toprak also intersperses songs like Crazy on You by Heart, Man on the Moon by R.E.M. and Only When it Rains by Garbage, which, similar to the casting of Annette Benning, is another unusual creative choice by this film team, requiring some getting used to, but is not off putting.

In conclusion:

Is Captain Marvel a good movie and a worthy inclusion to the Marvel Universe in general and the Avengers franchise in particular? Yes.

Do I wish they had left the gender politics drivel out of the equation? Most certainly.

But when it comes to marketing, as my Dad used to say: “Say something good about me, say something bad about me, but don’t say nothing about me.” Still, someone should inform Ms. Larson that perhaps it would be sensible, if not just courteous, to avoid deliberately alienating the fundamental demographic which has, frankly, built the financial empire of the comic book industry: THE WHITE MALE – especially since Captain Marvel was created AS a male, so the incarnation as a female is really borrowing off the male pioneered territory. She should be saying an appreciative: “Thank you,” instead of starting a snide spitting contest.

Most comic book hero authors were men: Stan Lee, Bob Kane, William Marston, Jerry Siegel, Bill Parker to name only a meager few.

And without the WHITE TEENAGED MALES there would be no comic book industry such as it is. Up until recently the vast majority of the comic book reading/buying demographic WAS male.

Am I the only one who can see that if the odds were so terribly stacked against woman, as the gender-victim baiters and pseudo politician-community agitators would have you believe, that this movie would never have been made?

Larson should consider that she has made it to the top of what is currently considered the Hollywood Mountain. Her movie is going to make a bazillion dollars. She should learn a little etiquette and be gracious in her win.

That being said, I DO think, thematically,  it WAS a wise decision to make Captain Marvel a female, if for no other reason than there is already a VERY well established MALE super hero with a “Captain” nomenclature against which she would NOT want to compete in a popularity contest. (To paraphrase a wise Black Widow – “That’s a question she just  does not need to get answered.”)

Meanwhile – I think we would all have a much better time if everyone, Miss Larson included, and perhaps especially, should just chill out.

Thankfully and ultimately, Captain Marvel is about the creation of a super hero who just happens to be a woman, NOT about the creation of an expressly female super hero.

I must admit that a surprising homage to Stan Lee in the opening credits had me a bit choked up. Without him none of these creations: Hulk, Spiderman, Iron Man, Nick Fury, Black Widow, Ant Man, Yondu, Peggy Carter, Dr. Strange, Magneto, Loki, Ronan, Professor X, T’Chala, Groot and the plethora of others that populate most of the Marvel Universe (See the list of Stan Lee’s creations on Wikipedia here)  would exists and for that we all owe Mr. Lee a tremendous debt of gratitude. I pray he finds the joy and inspiration he brought to millions while he was alive awaiting him in eternity. The film makers gave him a lovely appropriate epitaph send-off just before the opening credits to Captain Marvel, as well as a delightful posthumous cameo, almost breaking the fourth wall, in the middle of the movie. Thank you Stan, you will indeed be missed.