SHORT TAKE:
FINALLY, a return to the classic style and pacing of the original family friendly clean agenda free (mostly) Star Wars, in the origin story of the one and only Han Solo.
WHO SHOULD GO:
Pretty much anyone. Not as violent as Rogue One and less cleavage than Carrie Fisher's gold metal bikini in Return of the Jedi.
LONG TAKE:
WARNING: CONTAINS A FEW CRUCIAL SPOILERS TO OTHER STAR WARS MOVIES.
When I was a kid I used to do jigsaw puzzles with my Dad. 300 piece, 500. I think the biggest one we ever did together was a 1,500 piece puzzle of the French Quarter at Night. Similar to this one. 
No one piece stands out, except as you are fitting it into the bigger picture. Originally made from wood in 1760 and cut into pieces by a jig-saw, most jigsaw puzzles are now made of cardboard, but the fascination remains. Each piece has its own unique "personality" and has only one place where it will go to complete a bigger overall picture. 
While you are searching for just that right spot, that one piece becomes very important and you know, briefly, every detail of its shape – every tab and blank, edge and curve fitting specifically into one part of the tesselation that is a completed jigsaw puzzle. But then, when you figure out where it goes, its success is defined as how well it blends in with and disappears into the rest of the picture.
Solo reminds me of that – appropriate for such a movie to be named for a single, unpaired, individual – Solo is as unique in shape but as uniform in texture and picture as all the other Star Wars movies, so like a unique puzzle piece stands alone yet fits in beautifully to the overall picture. This is not a bad thing.
The point I’m making is that Solo fills an empty spot in the larger overall painting that is the Star Wars Universe. In the original films, Star Wars – A New Hope, Empire Strikes Back and Return of the Jedi – there was a LOT of missing back story to Han that worked as a mystery then, but over time became niggling points for which people would enjoy answers. 
What was this card game from which Solo won the Falcon "fair and square" from Lando? 
How did Solo and Chewy meet? Where did Han come from? How did he acquire the skills he so effortlessly displayed as a smuggler? There was no mention of a gang or family business. No mentor or sponsor. 
Were there any women in his life before Leia? Why does Chewy stay with and take orders from this 
annoying, snarky, only marginally successful representative of a significantly physically weaker race? Were there any defining watershed moments in his past which would help shape this surprisingly complex character, who was part scoundrel with a soft heart and part hero with a large Machiavellian streak? 
Why are Lando and I the only creatures in the Universe that think Solo’s first name should be pronounced with a short vowel – Han – like hand or fan? And where did he learn to speak —- Wookie? 
Well – MOST of these questions are artfully answered, at least in part by the new Star Wars installment – Solo: A Star Wars Story.
Personally, I find the timeline for the release of the Star Wars movies very convoluted. We start with Star Wars, originally released as a stand alone movie in 1977 but then renamed Star Wars – A New Hope IV in 1981 when they started making the sequels. The SECOND Star Wars movie made, Empire Strikes Back was numbered V and Return of the Jedi – really the third born, was numbered VI. THEN they made Phantom Menace and the sequels to IT 16 years after the Return of the Jedi but were subsequently numbered I, II and III. THEN THEN Force Awakens and Last Jedi were made in 2015 and 2017 but they REALLY belong after Return of the Jedi which was released in 1983. But THEN THEN THEN Rogue One’s story belongs squeezed between number III – Revenge of the Sith (2005) and IV – A New Hope which was released in 1977, which REALLY should force a renumbering AGAIN if it weren’t for the possibility that the Star Wars fans might storm Lucasfilms and…..wait……that changed too. Disney bought them out.
Well. *sigh*
Where does that leave Solo’s timeline you might ask? Crammed between Revenge of the Sith (III) and Rogue One, leaving LOTS of time BETWEEN the timelines of Solo and Rogue One to fill in more of Han’s life adventures before he basically…catches up to himself.
Alden Ehrenreich (pronounced ALL-DEN ERIN-RIKE – I know I got THAT correct as I listened for it on an interview with the actor!) is wonderful as the young Han Solo. 
A terrific actor in general he made quite an impression in the Cohen Brothers homage to 1950's movie genres, Hail Caeser, as an endearing, stalwart, naive Audie Murphy-type character. 
Ehrenreich has JUST the right twinkle in his eye, spring in his steps, mischief in his manner, unrelieved optimism in his own abilities, confidence in his mannerisms and slightly arrogant attitude that make him SO familiar to the Han Solo we grew up with. Yet this Solo is neither an imitation nor a caricature. Ehrenreich makes Solo his own but is so convincing that, like a reigning dowager at a family reunion you would have known who this young man belonged to just by watching him for 30 seconds.
Donald Glover (the scientist who figures out how to get The Martian home) plays a young brash Lando with the expected pinache and verve.
Peter Mayhew – all 7 foot 3 of him – now retired living in Texas, was the original Chewbacca. This mantle, or should I say "walking carpet," is now worn by 
Joonas Suotomo, a 6 foot 11 Finnish basketball player.
Emilia Clarke (Game of Throne’s Dragon Lady and the newest incarnation of Sarah Conner from the Terminator series installment Genisys) introduces a new ingredient into Solo’s early life – Qi’ra, a fellow street rat from his home world of Corellia.
Woody Harrelson (Zombieland, Glass Castle (see my blog) and 2012) brings his own unique but familiar style to the character of ringleader Beckett. Charismatic as always, Harrelson’s Beckett runs a troupe of highly specialized thieves who takes Han on in the middle of a job.
Thandie Newton (2012, Crash, HBO's Westworld series, Mission Impossible II) plays Val, a member of Beckett’s gang. As a side note I thought it was only me who kept confusing her with Star Trek’s new Uhura and Guardians of the Galaxy’s Gamora – 
Zoe Saldana. For half the movie I was thinking: WOW Zoe is in EVERYTHING sci fi! I felt stupid when I discovered my mistake in the credits until I found these pictures and anecdotes about how other fellow actors confused them as well.
I mean, to be fair, they could stunt double for each other.
L3-37 – voice by Phoebe Waller-Bridge – is really the only sour note in the production. Intended, I suspect, to be their female version of C3PO, she is such an over-the-top feminist robot that she would have been better suited to an animated Shrek caricature or a replacement for Joan Rivers’ Dot Matrix in a Spaceballs sequel. So grinding was she that whenever she was on screen I couldn’t wait for her to be off. At least she makes Jar Jar Binks seem more appealing.
Finally, Paul Bettany plays Dryden Vos, a guy as bad as his 
Avenger’s Vision is Thor-hammer good. 
Bettany is fun to watch as he chews the scenary with calculated menace and the evil abandon required of any good Bond super-villain or Star Wars Hutt-style baddie.
Overall, I really enjoyed Solo. It’s completely family friendly. There is a bit of violence but no more than in the original Star Wars and less "cleavage" than in Fisher’s gold bikini in Return of the Jedi. The plot fills in a lots of gaps – like spackling over the holes in a well worn, well loved bedroom wall … or like one of the missing pieces of a puzzle, making it a very satisfying experience. Unlike the Last Jedi, which kind of trashed the continuity character of Luke, or the lame way they dispatched Han in Force Awakens, this story feels as Star Wars-ian as the original. It’s exciting, 
has lots of space races, 
neat aliens, is often funny and is 
basically a "throw back" in the BEST possible way, to the very first Star Wars – the foundational New Hope, which, personally gives ME hope that the Star Wars franchise might FINALLY be back on the right track..
It seems that Guardians of the Galaxy has set the Gold Standard of humor, converting the likes of the Thor franchise from an almost medieval melodramatic fraternal conflict to a sibling rivalry which occasionally plants tongue firmly in cheek and wisely no longer takes itself too seriously, throwing in moments which might otherwise be considered bloopers. Star Wars has reaped the benefits of this informant as well, levitating the mood in much needed relief from its darker more sinister moments.