Tag: camp

DARKEST MINDS – DERIVATIVE TEEN ROMANCE DRESSED UP AS WEAK DEPRESSING SCI FI

SHORT TAKE:

Paint-by-numbers teen-romance/sci-fi full of plot holes and borrowed ideas.

WHO SHOULD GO:

Mid to older teens only, for language, X-Men style violence and a couple of aggressive advances by pervy bad guys.

AND IF YOU LIKE THESE REVIEWS PLEASE SUBSCRIBE! THEN YOU'LL GET     EVERY NEW REVIEW SENT STRAIGHT TO YOUR E-MAIL!!

GO TO THE BOTTOM OF THE LEFT HAND SIDE AND TYPE YOUR E-MAIL IN – IT (SHOULD BE) THAT EASY. ANY PROBLEMS PLEASE SEND ME A COMMENT AND I'LL DO MY BEST TO RESOLVE YOUR ISSUE.

LONG TAKE:

Combine Divergent with the new/retro X-Men then flavor with a teaspoon of Children of Men and you have Darkest Minds.

Based on a series of books by Alexandra Reagan, the premise is that a virus infects all children. Most die but the survivors are left with superpowers. The government is afraid of them so, on the pretext of looking for a cure, rounds them up into prison-like camps, where they are overseen by abusive soldiers, given menial tasks to do and occasionally euthanized. One of the internees, Ruby, (Amandla Stenberg from Hunger Games) gifted with mind control, escapes with the help of a sympathetic doctor, Cate (Mandy Moore) and seeks sanctuary with other runaways.

There are so many weak, illogical and unappealing features to this movie that I will only hit upon the highlights.

The two favorite whipping boys of the lazy liberal screenwriters are corporate CEOs and the military. Our military are the scapegoats in this one. All are seen as cruel and abusive to the last remaining children on the planet. Not only is this stupid, but would be an enormous waste of incredible powers displayed by the children. For example, heightened intelligence children are sent to polish shoes. Why? Why are they not put to work creating super gizmos?

Set ups are never paid off. In one scene, our protagonist is cornered by a pervy-acting soldier and another girl deliberately makes him angry to distract him. She is taken away, presumably for punishment, but we never see her again.

Ruby sends a bounty hunter off into the woods to walk herself to death. Then the kids walk off into the same woods without ever mentioning her again. Also, this is almost exactly the punishment Wolverine's dying girlfriend, Kayla, metes out to Stryker at the end of X-Men Origins: Wolverine.

Along with enhanced intelligence, powers of other children in the camp include telekinesis and the ability to control electricity.

Children who demonstrate more powerful abilities such as mind control or fire breathing are euthanized.

If a corrupt military had access to this kind of firepower, the idea that these children would be either killed or corralled and simply housed is ludicrous. Why would they not at least weaponize them?

There is no reveal as to what was going on in the rest of the world. If it was only in the United States, we would have a significant advantage with a race of super children. Was the virus a pandemic? Where did the virus come from? Was it manufactured ? of alien origin? Was it supposed to be a natural part of humans' development? The writers seem more interested in making the military look inherently evil and jumping right to the teen drama than writing a solid coherent story.

The performances of the children are adequate but fairly banal and what you might expect in a teen romance film dressed up as a Sci-Fi.

It's a shame because they had the skeleton ideas for a really good movie. One thread they could have followed was when the runaways come upon an abandoned farm and one of the older kids mentions simply but insightfully: no children, no economy.

This is common sense the global warming cultists and the abortion mentality fanatics fail to grasp. Putting aside the Holocaust level atrocity of the philosophy that there are too many of us and that children, thereby, are at best an inconvenience and at worst a plague to be minimized or eliminated, it is a basic fundamental of economics that a population does not grow also does not thrive.  This is a concept that the far superior Children of Mendid not just glance at but understood and embraced.

The devastated and abandoned areas in Darkest Minds the children come across are one of the few accurate portrayals of the outcome of the loss of our next generation. To do a crossover moment, this is the landscape that Thanos and those others who believe in overpopulation, would create. Darkest Minds could have been a kind of Children of Men spinoff but this point was never followed up.

Another really good idea which was little utilized was Watership Down, a brilliant story by Richard Adams seen from the point of view of a group of adventuring rabbits. The idea of a group of intrepid outcasts, wandering from one dysfunctional society to another in the wake of a massive catastrophe, rejecting them all, seeking sanctuary and finding it in family would have been a real upgrade to this plot. Instead, Ruby, the main protagonist, finds this book to read to the youngest child in their group. The blessing that God gives to rabbits is quoted: "All the world will be your enemy, Prince with a Thousand Enemies, and whenever they catch you, they will kill you.But first they must catch you, digger, listener, runner, prince with the swift warning." Ruby applies it to her love interest, Liam (Harris Dickinsen), but this is unearned. "The Prince with A Thousand Enemies" is a clever trickster leader who brings his family through a series of dangerous adventures. Liam, while a nice young man, is merely one of a group of kids trying to survive. He's not an especially strong leader, nor shown to be particularly adept at thinking outside the box. If they wanted to make this Watership Down analogy work they should have set it up properly, instead of just throwing it in hoping it would stick by virtue of having been mentioned. This tactic does not work.

Ruby kills somewhat randomly, though not without reason.  She forces soldiers to shoot into an opposing group, gets a helicopter pilot to do a suicide dive, and makes the pervy soldier shoot himself in the head. I only bring this up because elsewhere in the movie the group she is with objects to the idea of joining an anti-government group call the Children's League. They are afraid the League would train them to be soldiers and kill people. Seems a bit inconsistent without at least some espoused rationalization. The screenwriters need to pick a side and stick to it. Is it okay to use these powers lethally or not?

Essentially, this is a so-so forgettable teen romance with about as much originality as Eragon, set against a background of sci-fi which plays out like a first treatment idea instead of a fully fleshed-out screenplay.

Finally, I must wonder why screenwriters almost always see the future as dystopian. Granted a conflict is useful in the creation of an interesting story, but there's no reason a functioning healthy society couldn't be challenged, instead of starting from the assumption that life sucks. Star Trek, Dr. Who and the Avengers – three of the most profitable and long lasting frachises in all of cinematic history – all celebrate more often than not, the advances, achievements, creativity and essential goodness of humanity – and that sentient life is the most valuable thing in the material Universe. You'd think the writers of such depressing movies as Hunger Games, Divergent, Ready Player One, The Road, Book of Eli, 12 Monkeys, Blade Runner, Fahrenheit 451, Clockwork Orange, and Brazil would start from a more optimistic threshold. After all, what is the point of fighting for a world which will not get any better? Not that these are all bad  movies – on the contrary many on the list are classics. It's just you'd think the truly creative might come up with a more positive outlook on life and our future. As Trek and Who, in particular, have shown, it is possible to have conflict and even make intelligent social commentary and still have a more optimistic view of life. Just sayin'.

WARNING: A little bit of language, some X-Men style violence of gunshots, fire breathing, explosions and people being thrown around, along with the pervy antagonist scenes, makes this suitable really for older teens and up only. If you were comfortable with your kids seeing X-Men, this would likely be fine.

MEMORIAL DAY MEMORIES AND MOVIES

SHORT TAKE:

While contemplating my favorite Memorial Day weekend appropriate movies I thought of: my Dad, some movies I didn’t see on anyone else’s list, and some classic favorites, in that order.MEMORIAL DAY – MY DAD, THE PATRIOT

When contemplating Memorial Day and patriotism I do so, unabashedly, through my father’s eyes. Billy Ashton Weisfeld was a radarman on the destroyer Breckenridge during World War II back in the day when radar was so top secret just talking about it outside of their classrooms could land them in Portsmouth Naval Prison. He was very proud of his service and I have always been proud of him. And I see patriotism through the filter of his definitions. He was the one who risked his life for four years. He earned that right.

He taught me to stand during the pledge of allegiance and during the Star Spangled Banner. I remember, sometime during junior high we had a choir teacher who refused to instruct us to stand while we practiced the Star Spangled Banner. I remember being very upset about this and making an impassioned plea on behalf of the men and women who were currently fighting and dying in Vietnam. My arguments fell on deaf eras. (Ironic for a choir teacher.) However, when I approached my parents with my dilemma my Dad took me for an appointment with the principal. I made my case and thereafter we stood for the Star Spangled Banner – whether in performance or practice.

On a more humorous note my Dad and I went to see Poltergeist at the theater in 1982. I don’t know if any of you will remember this but it starts with the TV actually “signing off” for the day as stations were wont to do back then. The end of the programming day was heralded with – The Star Spangled Banner. Not even realizing it was the beginning of the movie – not that it would have made much difference – when the Anthem began, my Dad immediately stood up and I stood with him —– by ourselves —– because it was just the beginning of the movie. I can’t help but chuckle to this day. But, funny as that was, I was and am so proud of him for that. It is one of my favorite memories.

Now, while my Dad, thankfully, did not lose his life during the war – obviously, given these recollections from events which took place in the early ’60’s and ’80’s – he did lose his hearing. His radar station was beneath the big guns which classically blast out during every sea based World War II movie, booming noises rattling your seats even before Extreme Digital was a thing. Though he was fully entitled to disability from the government he refused to apply, saying that his service had been a privilege. Again, I was very proud of my father for his attitude.

I know Memorial Day is to honor those who died fighting for our country and her ideals. My father would have been the first to shy from comparing his efforts to those who never got a chance to offer decades to America, but much like the white martyrs of the Catholic church, my Dad gave his entire life in the service of the ideals of his country by the way he lived and by inculcating those ideals to his children. In return I and my siblings and our spouses have tried to pay it forward to our children.

MOVIES – THE UNSUNG HEROES

There are a plethora of really good patriotic movies. There are a handful on my list which I did not find on anyone else’s.

Now an advisory. There are some well done movies about war which do not deserve to be placed on this list. They are movies which I admit are creative, artistic, fascinating, even literary masterpieces. But they do not deserve a place with these better brethren because they do not respect America, her ideals or the reasons for which we went to war. America fights not to conquer but to free. We are the only major power who has not colonized as victors. Instead of taking Kuwait as a territory we freed it. Instead of laying claim to the areas we won during World War II we asked only, as General Powell notably said, for enough ground to bury our dead.  America protects the innocent, feeds the hungry, heals the broken, adopts the homeless, and helps our enemies to get back on their own feet. This philosophy was even immortalized in an affectionate jab of political satire called The Mouse That Roared wherein a small destitute country attacks America just to be defeated so she can receive much needed aid. The movies that do not recognize or respect that distinctly American tradition and morality do not deserve a place with this group any more than does the coward who Patton famously slapped belonged in the military hospital, demoralizing the wounded soldiers. So —- I won’t mention them here, but I suspect you know the ones to which I refer.

This first group of Memorial Day-worthy movies are ones which I did not find on many, if any, prominent list, because of political correctness, age of the film, or plain old quirkiness.

The Green Berets – A classic old John Wayne movie about the Vietnam War – likely the ONLY movie which extolled the virtues of why we went there in the first place, made at a time when we were told the plan was to win. Liberal reporter David Janssen and patriot John Wayne as Green Beret Colonel Kirby face off in an in-country expedition to explore our original mission: to defeat the cancerous brutal totalitarian political structure of Communism then creeping into Southeast Asia, and to provide humanitarian aid to Communism’s indigenous victims.


The Scarlet and the Black – Based on the actual account of Msgr. Hugh O’Flaherty, Gregory (To Kill a Mockingbird) Peck portrays this brave priest at the Vatican during World War II who aids in the sequestration and rescue of thousands of Jews under the nose of the reigning Nazis who surround it and infest Italy.


Victory – another based on a true story – starring Sylvester Stallone, Michael Caine and real life soccer legend Pele, the story is about the soccer game between an international group of POWs and German soldiers. The intent, much like the 1936 Berlin Olympics, was to prove German “superiority” by publicly humiliating the non-German losers. Needless to say, like their Olympic failure to Jesse Owens, it backfired spectacularly.

The Russians are Coming, the Russians are Coming – comedy this time. At the height of the Cold War, a Russian submarine Captain, (Theodore Bikel, who later became known as the Klingon Worf’s adoptive human father from Star Trek: The Next Generation) runs aground off Gloucester Island. The Captain just wanted to get a look at America to satisfy his own completely non-political curiosity and got a little…too…close.  Stuck on a sandbar, the Captain and his crew faced American imprisonment as spies on one hand and lethal Russian retribution if suspected of trying to defect on the other. So to prevent an international incident, not to mention his own capture, extradition and likely execution, he sends a team out headed by Alan Arkin as Lt. Rozanov, to find a way to pull the sub free before the submarine is discovered. This hilarious, and warm-hearted comedy also stars Brian Keith, Jonathan Winters and Carl Reiner, along with a plethora of familiar funny faces. I picked this one because it is a demonstration, albeit done in an affectionate parody, of how average American citizen-patriot/soldiers, willing to die to protect America and her ideals, are also willing to extend friendship, show common ground, and offer protection to the helpless when the opportunity arises, even to our enemies.

1776 – A musical – WAIT! THAT MAKES THIS ONE LITERALLY A SUNG HERO – or, at least singING ones – if you can believe it, about the signing of the Declaration of Independence. Paraphrasing the last sentence of the Declaration, these 56 men, with hope in the protection of Divine Providence, pledged to support that Declaration with their lives, their fortunes and their sacred honor. Many saw their homes burned, their families abused, their children vanished. Some died in poverty or from wounds or torture. Some lost sons on the battlefield. Thomas Nelson, Jr., (who does not feature in this movie but whose sacrifice deserves mention) just as an example, discovering Cornwallis had encamped in his palatial home, fired the cannon to destroy it himself – and died a bankrupt. 1776 concerns who these Founding Fathers were and why they came together to so devote themselves – only they do it in song. 1776 mostly focuses on John Adams (William Daniels), Thomas Jefferson (Ken Howard) and Benjamin Franklin’s (Howard DeSilva) efforts to acquire unanimous consent on breaking with the British Empire. One of the most charming aspects of this little known film is the conversations the otherwise “obnoxious and disliked”  John has with his wife Abigail (Virginia Vestoff). Lifted from the pages of the letters between the real John and Abigail, these interchanges manifest themselves in bittersweet duets wherein they engage in playful banter and loving longing, unable to touch because they are really only conversing by written exchange.
Kelly’s Heroes – OK I hesitated to include this movie, because it rides right up to the line of being one of those anti-war films, BUT I do not think crosses that line. This is one of my favorite movies. A comedy-drama starring Clint (directs everything & cut his teeth on about a million spaghetti westerns) Eastwood, Donald (Hunger Games) Sutherland in one of the quirkiest roles you will ever see him in, Carroll O’Conner, and Don Rickles, about a group of exhausted soldiers near the end of World War II who find out about an enormous cache of German gold in a bank deep behind enemy lines. They plan to steal the gold the Germans have stolen. In the process, a general, played by Carroll O’Conner believing they are a gung-ho troop, decides to honor their apparent courage and follow them right into the heart of the offensive, breaking the German front line.
MOVIE STANDARDS
The ones in this next group are, and deserve to be, on just about everyone’s list of movies that exemplify the best of American courage and ideals in battle.
Patton – Brilliant portrayal by the unequalled George C. Scott of the ultimate patriot and complexity that was American General George S. Patton during the pinnacle achievement of his battlefield career. The movie follows Patton’s astonishing and irreplaceable contribution to winning the European theater during World War II for the Allies as well as the egotism which was almost his undoing. Brilliant military strategist and tank commander, inexhaustible commander who led from the front, never asking his men to go where he would not. Known as Old Blood and Guts he unabashedly prayed and wept openly for wounded soldiers, stood in open battle, fiercely loved and fought for America – he was probably our greatest American soldier.
The Longest Day – an ensemble accounting of D-Day starting with the preceding days waiting desperately for a break in the weather – with a cast which included some of the biggest stars of the time, including Sean (James Bond) Connery, Red Buttons, Henry Fonda, Richard (West Side Story) Beymer, George Segall, (THE) John Wayne, Kenneth More, Jeffrey (Captain Pike from the first Star Trek pilot) Hunter, Robert Wagner, Rod Stieger and Richard Burton!!! and more! If the names don’t ring a bell, look them up in us.imdb.com and if you are at ALL a classic movie afficionado I guarantee you will recognize at least one of the movies in which they have featured. The movie covers beach landings and straffings, the French resistence, parachute drops, hand to hand combat, a battle inside the town of  Sainte-Mère-Église, the Normandy advance. It combines beautiful individual moments as well as grand sweeping action about the turning point of the European portion of the war.
Guns of Navarone – very loosed inspired by the real Battle of Leros during World War II and starring David Niven and (again) Gregory Peck, the story revolves around a covert Allied mission to sabotage massive German battleship-killer guns on the Greek Island of Navarone. Classic heroism.
Battle of the Bulge – based very loosely on the Counteroffensive of Ardennes, it condenses months of preparation and campaigning into a few days. Starring Henry Fonda, Robert (Jaws) Shaw, Telly Savalas & Charles Bronson, it is another classic.
Schindler’s List – Heart breaking, and deeply moving drama about Oscar Schindler, an opportunist, Nazi collaborator and war profiteer who, in one brief shining Divinely inspired period of his life decides to risk his life, manipulate his Nazi connections and spend his life’s fortune saving over 3,000 Jews destined for the gas chamber. While neither American nor a soldier, Schindler risked everything for same ideals for which our American soldiers risk, as well as sabotaged his own military’s bombs, which in turn protected our soldiers.
American Sniper – directed by Clint (Kelly’s Heroes) Eastwood, tells the story of the military career of Chris Kyle, the decorated and deadliest American sniper in military history, and his heroic commitment to his fellow soldiers during the Iraqi War. A stand out, not only for telling Kyle’s story, but for the astonishing performance by Bradley (voice of Rocket from Guardians of the Galaxy) Cooper. Cooper transforms himself from a nerdy accountant physique with a hyperactive personality in A-Team to looking like Dwayne Johnson’s little brother with the “gentle giant” demeanor to go with the size. He did, I think, Navy Seal Kyle proud.
The Great Escape – one of the best war movies ever made. Starring, among others: Steve McQueen, James Coburn, Richard (Jurassic Park) Attenborough, and Charles Bronson. The screenplay is based on the book about the biggest mass escape from any German POW camp ever – Stalag Luft II in Sagan, Poland during World War II. The Germans made the critical mistake of putting the most ingenious serial escapees in a single prison, reasoning they could keep them all more closely guarded. What they did not consider was that together they made a formidable escape army. 600 men planned the tunnel escape of 200 men, none expecting to acquire permanent freedom but primarily to cause confusion and chaos behind enemy lines. These men succeeded in creating the most time expensive, personnel consuming recapture plans the Nazis ever required. This movie is a distinguished and honorable tribute to these internationally mixed heroes.
The Hunt for Red October – Cold War era defector Sean Connery sneaks a game changing silent submarine out of Communist Russia. Although not an American soldier, he and his men risked their lives to protect our country, as well as the world, from the brutality of Communist Russia.
There are many more, but let me leave you with the names of others which should definitely be on your bucket list:
Black Hawk Down
Monuments Men
13 Hours
Sole Survivor
Hacksaw Ridge
We Were Soldiers
The Alamo
The Patriot
If you can’t find a really good inspiring movie highlighting patriotism and the American spirit to watch this week – then you’re not really trying.