BLACKLIST – EVEN GIRL SCOUTS GET LOST WITHOUT A MORAL COMPASS

Blacklist 1

SPOILERS – really. This show is cool but HAS to be watched chronologically. So if you have NOT seen the show and ever want to, just SKIP THIS POST until you have seen both seasons….OR  If you want to carry on reading anyway, I will be as spoiler-free as possible, but a few tidbits have to be revealed to make my point.

OK, this is a TV show but a darned good ADULT ONLY one and, arguably just a REEEAALLY long TV movie. All the elements come together at different points and there are complex character arcs and a background plot that even after two seasons is not complete.

Raymond Reddington (James Spader), a mastermind criminal and one of the top Most Wanted's on the FBI list, comes across a four year old orphan girl. The details of the how and why are still not clear even after two years but – never mind. To whom does he entrust this child? A strong woman? (And through the course of the show we run into a LOT of excellent candidates for foster motherhood for the child.) No. He brings her to a trusted male friend, Sam, who, even though unmarried and childless, takes Liz in and raises her as his own. She grows up to be a straight arrow: brilliant, beautiful, compassionate, confident and (excuse the expression) kicka** Federal agent but a by-the-book Girl Scout of an agent.

Liz’s problems begin after Sam dies and her allegiances begin to shift from her clean cut father, Sam, to the shadowy but protective Reddington. The moral here is that even Reddington, a kind of sane Moriarty figure, is created with an understanding that a child, even (I'd say especially) a female child, needs a strong male father to survive and thrive. And her morality begins to slip, even though an adult, even though an FBI agent, only after she loses her moral Gibraltar of a father and is forced to rely on the far more morally ambiguous Raymond Reddington.

Of course this is only a TV show. BUT the point here, again, is the expose of the Hollywood mentality. The Hollywood public persona is that of the politically correct liberal feminist. But when they create shows they want to actually succeed, the powers that be seem to understand that most audience members will respond to a scenario where there is a strong father or father-like figure.

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Next Up –  The Patriot – Compilation of American Heroes but a Father First

Photo Credits: Christianpost.com, Eventnewstrends.com

WHAT DO THE SOUND OF MUSIC AND THE KINGSMAN HAVE IN COMMON?

Sound of Music

The Sound of Music – this classic iconic tale has children, singing, nuns, the hills of Austria and nuns – did I mention it has nuns? The Sound of Music story hinges on Maria bringing the family Von Trapp back together after the father steps out of the lives of his children following the death of his wife. The solution, if you note, is not the arrival of Maria, but the recommitment of the dad back into the children's lives. Even when Maria leaves in the middle of the movie subsequent to her becoming aware of her infatuation with Captain Von Trapp, the family is fundamentally healed because the Captain has retaken the mantle of father. Maria's return is the icing on the cake but her return is not essential to the children's ultimate well being.

Kingsman              Kingsman2 by Fansshare.com

Kingsman: The Secret Service could not be more in contrast. British comedy drama. Over the top semi-spoof, semi-homage to the spy thriller. Extremely violent, full of profanity. Not a nun to be found. Yet here too the theme plays out. Eggsy is the teen son of a deceased member of an elite secret squad of spy/troubleshooters. In the first 5 minutes of the movie his father is killed in the line of duty. When Eggsy's future mentor, Harry Hart (Colin Firth) brings the news to Eggsy's mom, Eggsy is a young child. Nice middle class home. Sensible widow. Fast forward 17 years and the sensible widow is now a slutty co-dependent case book definition of abused woman in a destructive relationship, living in a tenement with Eggsy and her illegitimate child of the live-in abusive boyfriend. Without the Dad – disaster. Eggsy will eventually step up to the plate but only after Harry has provided Eggsy with the desperately needed father figure.

Two movies with drastically different audience demographics. One's a family-oriented, religiously devout musical, the other a futuristic, somewhat dystopian, occasionally sexually crass, graphically violent action flick. (I'll let you figure out which is which. LOL) If you created a Venn diagram of people who would want to see either movie, you would have an intersecting sliver with little more than a tangent line connecting them.  (OK – I've seen both but, then I watch a LOT of movies.) You really cannot get much more of a contrast between styles than Sound of Music and Kingsman. The only thing they share superficially is the fact there are British accents in both.  But both share, unexpectedly, the EXACT same world-view on the family – that there is no real family without a strong father figure.

How is that relevant? Well, my point here is that there seems to be an instinctive understanding, even in film makers who do not have sensitivity for conventional morals, that a solid father figure, such as Captain Von Trapp in SoM and Harry in Kingsman, who has the best interests of the youth in their care, is vital to the well being of those young people. That a mom, while nice to have around, is NOT the lynch pin that a family should depend on. Sorry ladies. And I am the mother of six.

Next Up: Back to the Father – Part VIII: Laughing at Dad

Photo credits: theguardian.com, fansshare.com, and imdb.com