HONEST THIEF – FORMULAIC BUT ENTERTAINING ACTION ADVENTURE

SHORT TAKE:
Keeping in mind that I LOVE cookies, Honest Thief is a cookie cutter Liam Neeson action adventure. So, while it’s not Shakespeare, a fun time was still had by all.

WHO SHOULD GO:
Mid teens and up for language and some TV cop show level violence. But no sex or outright blasphemy, (though God’s name is used in vain twice it is not as a profanity), which, in today’s culture puts this film above a lot of other offerings.

LONG TAKE:

Before we get started – is it me or do the Neeson action adventure posters have a theme going – streaking lights at odd angles with Neeson torso and a gun? No? OK.

SPOILERS

On Calvary there were two thieves – one on either side of the crucified Christ. One was repentant, received forgiveness from Jesus and the promise that he would be with Our Lord that very day in Paradise. I’ve always been especially touched by this moving scene and wondered if the repentant thief, of all people, was the first soul to enter Heaven after Jesus opened the Gates for the first time since Adam and Eve’s Fall from Grace. The Bible does say that there is more rejoicing in Heaven over a single soul who has mended his ways than over 100 who were not in need of such contrition.

One of the aspects of this story that warms my heart is the fact the good thief did not ask for any such promises. He simply admitted his guilt, accepted his punishment and merely asked to be remembered. In return he received far more than he had expected.

Such is the case for Liam Neeson’s Tom, a bank thief so successful and clever, he has achieved a certain begrudging respect and legend amongst the police who seek him. He is properly, a thief, not a robber, for he enters and departs the bank, seemingly like magic, in secret, and has never physically harmed anyone.

Tom, by chance, meets and falls in love with Annie (Kate Walsh) who is led to believe he is a bank security analyst – which is “kind of” true? LOL Wanting to spend his life with her with a clean slate, he plans to admit his guilt to the proper authorities and to Kate, return all the money, accept his punishment and hope for the best from his lady love, expecting nothing more than to be able to tell her he has repented. Given his non-violent criminal record and the fact he is able to return all of the money, he reasonably plans to be able to cut a deal with the police. Problem is he can’t get anyone to believe he is the semi-legendary mystery pilferer of millions. A second string team with few scruples and even fewer brain cells Agents Nivens and Hall (Jai Courtney and Anthony Ramos) are sent out and Tom’s plans become…complicated.

In other hands this could have turned into a comedy (on purpose or by accident) and there were moments when I thought it might stand on that knife edge. But this is a straight up action adventure thriller and works on all points as such, though it does retain a certain wry Neeson humor, lightening moments as a bit of creamer does strong coffee.

Liam Neeson, OBE (Order of the British Empire) used to be best known for classy bio pics of real and fictitious characters such as Les Miserables (the prose version), Schindler’s List, Rob Roy, Michael Collins and The Mission. The last couple of decades he has made a name for himself as an action hero in edge-of-your-seat adrenaline rushes like The Grey, the Taken series, Non-Stop and Run All Night.

Director and co-writer, Mark Williams, makes sure Honest Thief continues in that latter vein. Fast spaced, with Neeson comfortable in his likeable laid back but quietly strong character, he has nice chemistry with Walsh.

Courtney and Ramos are suitably menacing bad cops, though I wondered at their stupidity given they thought they could get away with this kind of blatant embezzlement and a murder of one of their own, when they work for the very people who ferret such out. Jeffrey Donovan is the clean cop trying to get at the truth with his partner Sam Baker, played by Robert Patrick.

As a piece of irrelevant trivia, both Jai Courtney and Patrick were in the Terminator series, albeit with their roles reversed – Patrick was our first glimpse at the terrifying shape shifting Terminator in Terminator 2: Judgment Day and Courtney rebooted Kyle Reese in the much maligned Terminator: Genisys.

Mark Isham’s soundtrack favors sequences featuring a long suspenseful note, usually strings, overlayed with a melancholy tune, breaking forth with startling and focused aggression during action scenes, reflecting Tom’s naturally calm and thoughtful personality, which you would be well advised not to test. Isham has worked on an impressively ecclectic list of movies – from the whimsical Nell (in which Neeson also starred), to the sci fi Next, the Stephen King horror The Mist, the reboot musical Fame, the Jackie Robinson bio pic 42 with the late Chad Boseman, the action adventure about an autistic hitman in The Accountant, the charming family film A Dog’s Journey and the ridiculous Bill & Ted Face the Music.

The cinematography isn’t especially inventive but more than adequate for the needs of this fast paced action thriller.

Though Neeson claimed 2019’s Cold Pursuit was his last action adventure, he has not only successfully continued his smart tough guy roles with Honest Thief but has signed on to film yet another action flick – about a man stuck, with his two children, in a car wired with an explosive which will detonate if he does not obey his “captor”.

Neeson is a fine classic actor, who seems to have created a successful  niche for himself in the popcorn genre where the good guy can drive fast backwards in traffic, while successfully shooting at the bad guys and avoid harming any bystanders. Good for him. Personally there is a place for good old reliable formula movies. Sometimes it’s nice to just sit back with a bag of M&Ms and enjoy a movie where the righteous (or at least repentant)  man is going to win.

A NEW LEAF – DECIDING BETWEEN MATRIMONY AND MURDER

AUDIO OPTION OF A NEW LEAF REVIEW:

*SHORT TAKE:

Classic dark comedy of a destitute playboy who plans to marry  wealthy and then…murder.

WHO SHOULD WATCH:

While there is little profanity and no sex, the topics of living desolutely and planning homicide are somewhat unseemly for children, though, with parental discretion, perhaps younger teens.

LONG TAKE:

I would venture to say that none of you have ever heard of the movie A New Leaf. Penned, directed and starring Elaine May, co-starring the iconic Walter Matthau, this is a small budget film made in 1971 based upon the short story, The Green Heart, by Jack Ritchie. The protagonist, Henry Graham, (Matthau) is a self-absorbed, self-indulgent aristocratic heir who runs through his family fortune until, in his late thirties, finds himself without friends or fortune. There is only one person in the world who cares anything about him, Harold (the delightful singer and Shakespearean theatrical actor, George Rose), Henry’s valet, who sums up the basis for his loyalty to Henry in this one speech: “How many men these days require the services of a gentleman’s gentleman? How many men have your devotion to form, sir? You have managed, in your own lifetime Mr. Graham, to keep alive traditions that were dead before you were born.”

Of course, Harold tempers this with the warning that if Mr. Graham continues to be poor, he immediately tenders his two week notice.

Henry quickly realizes that, for him, there are only two options: suicide…………….or marrying rich. With Harold’s aide Henry embarks on a quest to find a rich widow or single heiress who would be tolerable to his refined tastes and isolated ways. He soon discovers that while there are MANY candidates, he can’t stand any of them…until he finds the least suitable one of all. An extremely wealthy but ugliest of ugly ducklings, Henrietta Lowell (Elaine May – also the author and director of this brilliant story) is shy, socially awkward, clumsy, naive, and gullible. She is everything Henry would NOT want in a mate… aside from the money. However, it suddenly occurs to him, she would be quite easy to —— murder.

So begins the courtship and honey-murder, I mean —moon of one of the most charming little comedies I have ever seen. It is ultimately a film about the power of love, redemption and poetic justice, but told in the singularly most UN-conventional and UN-sentimental way I have ever seen demonstrated.

I REALLY am not going to spoil this one for you. You can now find it on Amazon HERE.

I recommend this movie as one of my all time favorites. As I mentioned before,  A New Leaf COULD be appropriate, with parental supervision, for young teens, and worth the trouble given the moral and theme of the story. Henry is quite chaste. There is very little profanity and no sex. Henry’s SOLE vice is avarice. The only questionable moment is when one socialite attempts to seduce him and Henry, in a breathtaking moment of humor, literally runs screaming from her.

Walter Matthau is at his finest in a brilliant example of miscasting gone right. Aside from Hello Dolly, I can’t think of a less appropriate vehicle for Matthau. But – as in Hello Dolly – he is such an amazing actor that he pulls off the deliciously arrogant and thoroughly self-centered Henry while making him – somehow – adorable.

Elaine May is perfectly terrific as the totally INcapable Henrietta Lowell. Vulnerable, dependent, socially oblivious and educated to the point of being a blithering idiot in everything except her one field of interest – botony – May creates a child-like character who is both endearing and extremely annoying at the same time. You come to understand why Henry would consider killing her yet dread her disappearance.

May is probably not very familiar. She made her biggest mark with Mike Nichols as half of an improvisational comedy duo and did a good deal of stage work. She was in only about a dozen films, including a teensy part in The Graduate, wrote only 10 screenplays and despite her obvious talent directed only four movies, probably because of her tendency to go way over budget. As an aside, one of her directorial efforts was Ishtar, the biggest and most expensive flop in history at that time.

But she did manage to produce this beautiful blossom of a movie. And that, alone, should be enough to decide on… A New Leaf.

  • NOTE: This is a re-release of a post from 2015. Since then I have added photos and the movie has become available on streaming services.