Cataclysm as Marital Therapy

I love disaster movies. Armaggedon, Independence Day, Poseidon Adventure – both 1972 and 2005 versions, the Terminator series, World War Z, Earthquake, San Francisco, Knowing, Deep Impact, Outbreak, Towering Inferno (released in 1974), The Tower (very similar story made in Korea in 2012), I Am Legend, Day of the Triffids (1962 and 2009 – though I haven’t seen the 2009 version it’s on my list of things to see), War of the Worlds (2005 and 1953), even that awful environmental wacko film Day After Tomorrow, and the poorly done TV series The Stand (though the book was well written). These movies span generations (San Francisco was released in 1936), cultures, and geography. The reasons for the disasters range from extraterrestrial aliens to homegrown superbugs, from man made robots to natural disasters. From world wide to the confined space of a single building these films are visual and emotional roller coaster rides that scare the daylights out of us, give us the good example of the protagonists who follow a moral code even in the face of great danger, and the horrible warnings of the characters who do not.

They also provide perspective. Being late for work because of a traffic jam or facing yet another April 15th tax season certainly isn’t as bad as being on the menu of a 50 foot ant or knowing your job is irrelevant because the city is about to: blow up, freeze over, or be incinerated. When you wake up to a city that is not overrun with zombies it’s not hard to face even Monday with a smile.

Disaster movies generally follow a certain formula – meet an ensemble cast of characters you learn to like, then watch as they face obstacles created by: monster, disease, natural event, etc. and wait breathlessly wondering who will make it to the credit roll. The challenges bring out the best and worst in people – some you expect, some you don’t. There are elements of humor and romance, LOTS of suspense and usually plenty of special effects. And there is not usually a lot of surprise in them once you have twigged to the familiar scenarios. But for me that is OK – it’s like the path of a favorite thrill ride.

However, there is one fairly recent theme phenomenon I have noticed cropping up of late with a handful of movies and I thoroughly approve of the addition.

SPOILERS – THOUGH I WILL TRY TO REFRAIN FROM GIVING AWAY WHO DOES AND DOES NOT SURVIVE.

Over the weekend, on our 33rd wedding anniversary trip Bryan and I went to go see San Andreas, the new earth shaker flick. The main protagonist, Ray (Dwayne “the Rock” Johnson) is a divorced emergency responder. Ray is on good terms with his ex – Emma (Carla Gugino) but is freshly coping with her having a new – and rich – boyfriend.

(Quick quiz – Gugino has a habit of playing stressed out moms in weird situations. She was the mater in a trilogy of rather spoofy espionage films about a husband and wife facing outrageous life threatening situations with their kids. Answer below).

Disaster happens and in the course of Ray’s endeavors to rescue his wife and teenaged daughter, he pretty much shows up his rival to re-win the respect of his child and the affections of his wife……. and I suddenly thought –  hold on —– this scenario sounds AWFULLY familiar. Didn’t John Cusack do the same thing as a limo driver in 2012? In 2012 Cusack’s character gets advance notice of the coming Mayan-predicted end of the world so grabs wife, children and wife’s boyfriend to adventure out into a struggle against the obstacles between them and survival. Cusack ends up re-winning the affections of his ex-wife ……..and —– wait a minute – in Independence Day Jeff Goldblum realizes the visiting aliens aren’t ET so grabs his wife and her boss – who just happens to be the President of the United States (who is NOT a boyfriend, but her boss, though Goldblum’s character at one time THOUGHT they were involved so it counts) and together manage to rescue the world, and in the process re-wins the affections of his wife and ……….wait just a second!!! In Jurassic Park III William Macy and Tia Leoni are estranged. She has a boyfriend who is conveniently dispatched early (not much of a spoiler because we barely meet him in the beginning of the movie before he gets eaten). Together they go to outrace and out smart dinosaurs to rescue their son who is stuck on one of these dinosaur islands and before the movie is done they —- reconcile. Is there a pattern to be detected here?

This dovetails nicely with a two part post I’m working on which is  coming up soon, near Father’s Day. But suffice to say that Hollywood, for all its inherent contempt for traditional families, seems to understand the life affirming fundamentally satisfying solidity of the traditional family structure.

There is an analogy here for all of us. Many families work, struggle, love and thrive with single parents, children of broken homes, and of homes headed by widows and widowers. There is great nobility in these homes because they are operating at a huge disadvantage. These four blockbuster movies reflect in concentrated microcosm the difficulties of daily living. I may not be leaping in front of an ultrasaurus or racing ahead of a 1000 foot tidal wave or blowing up a 6 mile wide meteor but as families we all face obstacles that seem potentially world shattering. These movies touch on our core instinct that understands the strongest template for protection, for success and for survival is the mom plus dad plus kids. There is something basic in our nature that recognizes almost anything can be accomplished, any obstacle overcome, any challenges can be broken by a mom and dad fighting for their children. While not all of us have the blessings of that armor, it is a structure we can teach our children to strive towards for their own protection and the protection of their own families against the tidal waves, the dinosaurs, and the natural disasters to come.

Answer – Spy Kids, Island of Lost Dreams, and Game Over

6-10-15

Screenit BEFORE you Screen It

I have seen the movies I review – kind of obvious. But what if you HAVEN’T seen it and you plan to go with your: grandmother, kids, first date, or priest? Or what if there are elements YOU just find offensive or unpleasant? If certain things ruin your suspension of disbelief: graphic violence, specific profanities, whatever is your personal family definition of explicit sex, or even smoking or scary “jump” music, what do you do? Call every friend you know who might have seen the movie to scour their memory for anything that you might not like? Go see it and hope for the best? Skip it?

There is a FABULOUS website called Screenit (www.screenit.com). They document ever profanity – how it’s used, the number, whether it is complete or whether it is partially used or done with humor – as in Shitaki mushrooms instead of s*** (InstaQuiz: what movie is this from? Answer below).

Screenit describes in detail every salacious scene. Is the shirt on, shirt off, position of camera, proximity of characters to each other, context of naked (are they showering or — engaged in another activity?), who are they with?……………..OK, yes, that IS kind of a funny, almost oxymoron if you’re trying to AVOID that kind of thing. But forewarned is forearmed – better to read about it than be surprised with a 22 by 52 foot wide visual AND if you read one that is a “deal breaker” there’s no law that says you have to read the rest. The morality of how you USE the information: alert or titillation is entirely up to you. LOL

Screenit documents if there is smoking and context. Movies set in World War II, for example, would be incomplete without it given the culture of the day. Violence: is it cartoonish? graphic? show beginning of a violent act but cut away for the “final blow” or is it “in your face” gory. They discuss “tense family issues”. Does the movie involve divorce, death of a close family member, alcoholism, animal abuse, loud arguments, job loss, terminal illness, etc? Is there gun use or “imitative behavior”. Will the movie feature kids jumping off the roof of a house for fun or swaggering around a school yard in a way and by a character they might want to imitate? If there is “scary” music or “jump”
scenes where creatures leap out or camera cuts happen with the intent to startle or frighten, this site warns you.

Anything that might put you off from a particular film or make you decide to be more discrete about who you would show it to is in this site. Of course, DO keep in mind, that means this site is almost nothing BUT spoilers — just so’s you’ll know.

I use it for almost everything I see. The only downside is that it does not cover many classic old movies, many of which have a lot of the above. Even a child’s film, like Bambi has: fire engulfing the protagonist’s home, the violent sudden death of the protagonist’s mother, mild derision of a handicapped creature – Thumper laughs at Bambi as he is trying to walk. Dumbo has the famous “pink elephants  on parade” scene – intoxication of a child, violent arrest of his mother, abuse by neighbors – the other elephant moms make fun of his ears and shun Dumbo. I mean, I saw all these films as a child. I’ve shown them to my kids as I find value in them. But everyone has their own hot buttons and it is best you avoid those things that bother you. This is where Screenit comes in handy.

They even list the topics that, should you choose to see the movie, you might want to discuss either before or after the film with your companions or, especially, your children: was the FBI agent justified in crashing through a large display glass window in pursuit of an escaping convict? should the kids have gone to their parents before trying to help the alien? would you have come back to fight if someone called you “chicken”? these are the kinds of issues Screenit  flags. (And, for the record, I wrote each “issue topic” based upon a specific movie. Can you identify them? See below for answers.)

It’s not just a cookie cutter one-size-fits-all broadband rating. They provide you with the tools to make your own personal decision for you and your family. Screenit DOES have an “Our Take” spot where they review the movie and tell you how well or badly it is presented, no matter whether the content is banal or egregious, but for the most part their raison d’être is to give you a heads up based upon your own personal, detailed family and religious codes of ethics. Even within a religion two families can have different sensitive spots depending on their history, family make up and interpretation of appropriate.

Screenit used to be free but they now charge a modest $7.95/month membership fee. I find the price WELL worth it. You can hardly buy a movie ticket, much less popcorn and drink for that. So before you queue up for popcorn, check out screenit.com to be sure the money you’ve spent on your ticket won’t be wasted by disappointment or shock or embarrassment.

So, the moral to THIS story is:     www.screenit.com BEFORE you screen it.

Answer: Spy Kids

The Rock, ET, Back to the Future.

6-1-15